Provenance
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599 entries · 6 connection types
Product · Graphic · Furniture · Architecture · Typography · Lighting
Today's Entry
1962
Lighting

Arco Floor Lamp

Achille & Pier Giacomo Castiglioni
Flos · Italy · MoMA, New York

A 2.7-metre arc of stainless steel springs from a block of Carrara marble to suspend a spun-aluminium reflector over a dining table. The Castiglioni brothers' logic was ruthless: people want overhead light without ceiling fixtures, so the lamp must reach across the room. The marble base weighs 65kg — heavy enough to counterbalance the arc, with a hole drilled through it so two people can carry it with a broomstick.

Why It Matters

The Arco made the floor lamp architectural. But its real lesson is methodological — the Castiglionis started from behaviour (how people eat, where they want light) rather than form. The marble isn't decorative. The arc isn't sculptural. Every element solves a problem. The fact that it's beautiful is a consequence, not an intention.

counterbalanceCarrara marbleproblem-solvingarcFlos
Arco Floor Lamp
Lighting · 1962
Connections
Same ProblemLighting
Parentesi Lamp
Achille Castiglioni, 1971
Both solve 'light over a surface' — Arco with mass and arc, Parentesi with tension and gravity
Material ThreadLighting
Taccia Table Lamp
Achille, 1962
Both use marble as functional mass, not decoration — counterweight here, heat sink in the Taccia
ArgumentFurniture
606 Universal Shelving System
Dieter Rams, 1960
Rams' systematic rationalism vs. Castiglioni's intuitive problem-solving — two routes to the same rigour
Same ProblemFurniture
Superleggera Chair
Gio Ponti, 1957
Ponti's Superleggera and Arco both achieve maximum with minimum — one pursues lightness, the other embraces weight